A woman cries on the bridge, tears in her eyes, mobile phone to her ear. “I can’t see them, I can’t see them,” she says. The epitome of distress, worry and fear.
A couple walk past noticing this woman, but since they have a baby buggy with a sleeping child in it and are heading for St Georges up the hill they don’t stop. But then, in this scene no one stops because who can intervene in someone else’s personal woe like that?
A few minutes later, the couple with the buggy see two girls, sisters, holding hands walking down past the Watershed. Tears in their eyes. Ages about seven and maybe two years younger. Looking for all the world, quite frankly lost.
Having walked past the two girls, the female of the couple with the buggy stops and wonders aloud whether the two girls just seen are in some way connected to the woman on the bridge…
Taking the initiative, and the sleeping boy in the buggy, they alter their course by 180 degrees and go back to the girls.
They ask if they’re lost. Sure enough they are. They ask if their mum has long brown hair. Yep.
So while the female looks after the two girl and the buggy with the sleeping boy in it, the male runs back to the bridge… the bridge….
The crying woman is no longer there, but there’s a man with interesting (white) facial hair looking off shot as a younger man, grey hair all the same, dashes into shot.
“No nothing,” says the man, “Can’t see them. Been all round the block.”
“You looking for two girls?” asks the male, running into shot.
“Yes,” says interesting (white) facial hair.
“We’ve got them,” says male.
“They got them,” repeats (white) facial hair to younger grey haired man.
(In retrospect this piece of dialogue will be deleted since “We’ve got them” looks sort of ominous on the page. In reality it was the first thing that entered the male’s head and seemed to do the trick. I mean it wasn’t like a ransom demand was following and this is a fairy tale ending, not Last House on the Right behind The Arthouse Cinema or nothing. Speilberg in cuddly mode, not Tarantino. I could go on but you get the picture.)
Male and younger grey haired man run run run across the bridge, the wind tousling their hair, the sun dappling across
No, overcast.
People dissolving into a mist of…. well they get out the way, kind of. Occasionally.
“Been long?” asks the male.
Another piece of dialogue that looks stupid on the page and will end up on the cutting room floor.
“Three quarters of an hour.” It’s a clumsy time to have to say while run run running to find your loved ones.
“We saw your… partner? on the bridge when we came over and then saw the girls.”
“My wife’s in the lost children’s tent now.”
Again, not really moving anyone.
Even though the male is trying not to burst into tears with the emotion of it all. Could be really embarrassing.
Family are reunited. Thanks given. Kids collected.
Male and female and sleeping boy in buggy contiue on past the Watershed and towards St Georges.
Maybe there’s poetry in losing your kids on Father’s Day. Maybe there isn’t.





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